The Wire (2002)
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
Watch NowThe Wire
2002 / TV-MATold from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
Seasons & Episode
"This ain't Aruba, bitch." - Bunk Moreland Freamon keeps a look out for Marlo, who is putting together a deal with Avon Barksdale. Davis goes to Burrell for help, but finds that the commissioner's hands are tied. Whiting puts together a series on broad strokes.
"They're dead where it doesn't count." - Fletcher Mayor Carcetti's police department plan is leaked. Marlo turns to Proposition Joe for help. Meanwhile, McNulty strikes up an unexpected ally -- Freamon.
"If you have a problem with this. I understand completely." - Freamon Marlo's crew goes on full alert after Omar's mysterious disappearance. Meanwhile, Carcetti concentrates on the plight of the homeless, while Bunk has an interview with a witness connected with the row-house case, and Templeton looks to a follow up to his recent front page story.
"A lie ain't a side of a story. It's just a lie." - Terry Hanning A shift in the police department sends Carver to a new location. Meanwhile, Carcetti is forced to put his political future in jeopardy, Haynes digs deeper into Templeton's work, and an important case has a breakthrough by Sydnor, while Fletcher continues working with Bubbles.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.