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Trials of Life

Trials of Life (1990)

October. 04,1990
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8.9
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Trials of Life

1990

A study in animal behaviour, it was the third in a trilogy of major series (beginning with Life on Earth) that took a broad overview of nature, rather than the more specialised surveys of Attenborough's later productions. Each of the twelve 50-minute episodes features a different aspect of the journey through life, from birth to adulthood and continuation of the species through reproduction. The series was produced in conjunction with the Australian Broadcasting Service and Turner Broadcasting System Inc. The executive producer was Peter Jones and the music was composed by George Fenton. Part of David Attenborough's 'Life' series, it was preceded by The Living Planet (1984) and followed by Life in the Freezer (1993).

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Seasons & Episode

1
Seasons 1 : 1990

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12 Episode

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Episode 5 - Finding the Way
November. 01,1990

This programme explores forms of navigation. Attenborough starts in Africa at dusk, by describing some of the species that don't rely on sight. The spotted hyena uses its acute sense of smell to guide it while it hunts nocturnally, while galagos urinate on their hands so they can completely mark their movements. Some animals use echolocation and these include swiftlets, bats and river dolphins. By contrast, electric eels use fields of electricity to sense their environment. During the hours of daylight, other methods are employed: the rufous elephant shrew, with its carefully cleared network of pathways, has a sharp mental picture of its habitat - even knowing the various shortcuts with which to evade capture. Attenborough visits the Sahara to illustrate a species that makes the longest overland journey of any insect: cataglyphis, an ant that uses the sun's position to enable it to return to its nest in a straight line. Lobsters in the Bahamas are shown marching in columns to escape stormy waters. In its search for perpetual daylight in which to fish, the Arctic tern makes a 19,000-kilometre journey from one end of the Earth to the other. The albatross is highlighted as one of the most skilled navigators: it can travel up to 1300 kilometres over sea in search of food for its chicks, and still find its way back to the nest. Finally, Attenborough stands on a waterfall in Ireland to tell of the three-year, 10,000-kilometre journey made by elvers.

Episode 7 - Living Together
November. 15,1990

This episode focuses on those species that co-operate and depend on (or exploit) others. Spotted deer follow langur monkeys as they travel from tree to tree, eating any leaves that get dropped from above. In return, the deer serve as a lookout when the primates are feeding on the ground. Underwater, a hermit crab is shown adding sea anemones to its shell in order to protect itself from attack by an octopus, and a goby assists a virtually blind shrimp. Fleas, lice and mites are parasites: they share no mutual partnership and instead take advantage of creatures for food or shelter. However, parasites have their predators, and an example are the finches of the Galápagos Islands that clear the resident giant tortoises of their ticks, and oxpeckers, which do the same for giraffes in Africa (and even use its fur to line their nests). Some fish regularly clean others, and wrasse and shrimp appear to specialise in this regard, as do remora, which permanently hang on to their hosts. One parasite that grows inside its host is the fluke, and one is shown gestating inside a snail, having previously been unknowingly eaten. Because it needs to transfer to a bird's gut to develop further, it causes the snail to advertise its presence to allow itself to be consumed - thus completing the circle. However, some microscopic creatures inhabit the stomachs of large herbivores in order to break down the cellulose of their diet, thereby aiding their digestion.

Episode 9 - Friends and Rivals
November. 29,1990

This installment investigates the ways in which those animals that live in social groups interact with each other. The solitary eagle is contrasted with whooper swans landing in Scotland after a 1,600-kilometre journey from Iceland. Once arrived, they must battle for territory with those already there, and pairs or families are usually victorious. Attenborough uses a group of farmyard chickens to demonstrate a pecking order. A pride of lions is shown co-operating to subdue a buffalo. Afterwards, each animal peacefully awaits its turn at the carcass. Baboons live in troops of up to 150, and their complex dominance hierarchy is examined in detail. Vampire bats display mutual assistance by regurgitating blood for any neighbour that has missed out on a night's feeding. Dwarf mongooses live in family groups of around a dozen. While some look for food or sleep, others are always posted on the lookout for predators and quickly raise the alarm if necessary. Meanwhile, some of the most extreme co-operation is demonstrated by the underground naked mole rat, whose 80-strong clusters are divided into workers (who tunnel perpetually), soldiers (who only act when danger threatens), and a single queen for breeding. Leafcutter ants are shown transporting their food deep below ground: it has to be planted in a special fungus to remove its indigestible cellulose, and each stage of the operation is carried out by a different caste of individuals.

Episode 10 - Talking to Strangers
December. 06,1990

This episode concentrates on communication. In Kenya, Attenborough accompanies a tribesman who calls to a honeyguide, which in turn answers him and leads the pair to a bees' nest. The tribesman extracts the honey, and some is left to reward the bird. African hunting dogs are shown hunting gazelles, of which the target is the individual that leaps lowest. Larks evade merlin by sending a similar message: by continuing to sing while being chased, it tells the pursuer that its prey is fit and therefore will be difficult to catch. (In 80% of cases this turns out to be true.) Vervet monkeys' cries are among the most complex. Their utterances are effectively words: a vocabulary that defines each of their predators, so an alarm call is specific to a particular threat. Some creatures transmit their presence by display, and Attenborough observes thousands of fireflies illuminating the darkness. Sounds travel further underwater, and over 200 species of fish use them to communicate. In turn, sea lions have become adept at sensing their proximity. However, the most visual aquatic animal is the squid, which uses colour change and posture to communicate. Finally, Attenborough swims with dolphins. They converse with a series of ultrasonic clicks, and each has a family call inherited from its mother: effectively a 'surname'. They also use normal sound, body posture and touch - in short, in terms of ability to communicate, they are man's closest rival.

A study in animal behaviour, it was the third in a trilogy of major series (beginning with Life on Earth) that took a broad overview of nature, rather than the more specialised surveys of Attenborough's later productions. Each of the twelve 50-minute episodes features a different aspect of the journey through life, from birth to adulthood and continuation of the species through reproduction. The series was produced in conjunction with the Australian Broadcasting Service and Turner Broadcasting System Inc. The executive producer was Peter Jones and the music was composed by George Fenton. Part of David Attenborough's 'Life' series, it was preceded by The Living Planet (1984) and followed by Life in the Freezer (1993).

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Director
Mike Gunton
Cast
David Attenborough
Producted By
BBC Studios Natural History Unit

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