Undressed Season 3
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Undressed
1999 / TV-14
MTV peek behind closed doors at the intricacies of modern relationships. Each episode features three different fictional stories and follows various characters to see what happened during their most intimate moments. No subject is too taboo.
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Undressed Season 3 Full Episode Guide
Sid/Hal written by Dave Holden, directed by Tim Andrew Someone leaked to the whole school/PTA that the school play is a story about two friends finding themselves... together... or in simplest terms, a gay love story. This sent the whole school/PTA in a frenzy, and actually had some students as well as adults protesting. Hal is worried that Sid might freak out and back out of their relationship. Hal is surprised, when Sid tells them (including Mitch, and Gale) he leaked it. Gale and Mitch leaves, while the two figure out their other possibilities. Sid is convinced he is confident about life, and decided that last night, he felt alive/himself for the first time. Hal calls the drama teacher (who seems to be the director of the play) and tells him about the current situation. Hal tells Sid, Mitch, and Gale about the cancelation of the play, and reveals that the teacher has the ""hookups."" Hal's play will be developed for the small stage, and he will still get the scholorship. [This
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Sid/Hal written by Dave Holden, directed by Tim Andrew Mitch and Hal decides to practice their kiss with the supervision by Gale, Mitch's girlfriend, Hal's sister. When they are about to kiss, Sid walks in and interrupts them. Sid still want to talk about the play, and doesn't want anyone to find out that he is gay because of all the pressure, but Hal tells him it will done with over a second. Sid is still pressuring Hal, but Hal tells him when will Sid admit to himself that he is gay. Sid finally admits to himself, and decides Hal not to change the play. Nicole/Ryan written by Dave Holden, directed by Paula Goldberg Nicole tells Elyse how she faked telling Ryan about not having the Big O. Ryan decides to make Nicole have the Big O, and she reveals she did have the Big O all of the times they had sex, and Ryan decides not to have sex with her after she revealed the truth. He decides to sleep on the couch tonight. ""Code of Sex"" written by Erica Rothschild, directed by Danny Salles
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Sid/Hal written by Dave Holden, directed by Tim Andrew Sid goes to Hal and tells him, he's uncomfortable with the play and tells him to re-write it. Hal gets upset and calls Mitch to reherse, and Sid decides to leave. Gale and Mitch gives Hal some advice, and he explains how it's a straight world, and that everyone is freaking out just like Sid. He decides to change the script and leaves for his room, leaving Gale and Mitch. Gale and Mitch start to make out on the pool table, and Hal returns, where he tells them he wants sex, and he wants Sid. He decides to change the play for Sid. ""Code of Sex"" written by Erica Rothschild, directed by Danny Salles The Code of Sex is still on, and Allan and Priscilla ask each other to have sex. Les and Jenny sees the sock on the door (meaning that the roommate is having sex) and decides to go at it in one of the shower stalls. Allan and Priscilla decides to go for one more round, and Allan notices he ran out of condoms. He heads to the bathroom
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Sid/Hal written by Dave Holden, directed by Tim Andrew Hal is convinced his friend Sid is gay and is in love with him. Hal confronts Sid about it, but Sid just kisses him instead, saying their is no word to explain what he feels for him, just a kiss will do. Hal's screenplay was choosen to be performed in front of the whole school, and Mitch, Gal's (Hal's sister) boyfriend is choosen to be one of the leads. When Mitch and Hal practice infront of Sid, Sid gets the clue that Hal wrote it based on them. Hal says they have to kiss right after this scene, but Mitch objects. Sid also objects to the screenplay and asks Mitch if he could leave him alone with Hal. He leaves, and Sid tells him he knows about the play, and if Hal performs in it, their relationship is over. Nicole/Joel/Elyse written by Erica Rothschild and Steven S. DeKnight, directed by Paula Goldberg Nicole finally tells Elyse that she liked Dirk, so Elyse lets her have him. Nicole tells Elyse she didn't feel anything bec
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Nicole/Joel/Elyse written by Jennifer Johnson and Erica Rothschild, directed by Paula Goldberg Joel does have a thing with Elyse, but she kicks him out before midnight, making Nicole the winner. The plus side is that Elyse asked Joel if she could ""see"" or have sex with him tomorrow again. Nicole reminds Joel he needs to set up a date with a hot looking guy for her from work. Dean/Kendra, Frank/Colin written by Rico Gagliano & Jason Berlin, directed by Danny Salles Martin gets the fact that Kendra and Dean are perfect for each other. While on dates with the others, Both Dean and Kendra figure out that they still love each other and decides to get back. Martin shows that he is okay with it. Meanwhile to say that he is sorry, Colin decides to print an ""I'm sorry ad."" Frank sees it and they make up. Frank tells Colin he is ready to show more PDA. They are ready to have sex, Frank wants to put on the don't disturb sign, but meets Dean and Kendra outside kissing. Dean and Kendra man
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Mitch/Gale/Skeet written by ??, directed by Tim Andrew Gale turns off her pager because she is sick of Skeet paging her all the time. Mitch admits to Gale that he likes her, and he wants her to like him back. She doesn't want to ruin things between Skeet and her, because she had a crush on Skeet for so long now. Mitch still pressures her, and he kisses her. Gale turns on her pager and she gets a page from Skeet. Next thing they know, Skeet is coming upstairs. Mitch leaves due to the weirdness in the air. Skeet then gives Gale a cell phone, a picture of himself, and his class ring. Mitch yells from downstairs wanting to finish their project, and he comes back upstairs. Skeet decides to stick around, and Mitch starts to compete with Skeet over Gale, and Mitch finally gives up and leaves. Skeet knew Mitch had a thing for Gale, and confronts to Gale. She denies it, and tells him they have to finish the project and she leaves. She then meets up with Mitch again, and they start t
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Mitch/Gale/Skeet written by Rico Gagliano & Jason Berlin, directed by Tim Andrew Thing between Gale and Skeet are going fine, but when Gale is assigned a project with a guy named Mitch, Skeet gives Gale a pager so that he can know where she is, and whom she is with. Mitch and Gale are working on a clay model of ""The Hanging Gardens of Babylon"" (Hopefully I can find a link somewhere for more information on this) and when Skeet start to page her repeatedly, Mitch teases her about it. Gale accidentally spills a drink on the model, and they start to pat it down with their shirts. Mitch looks at Gale, and notices how beautiful she is. Skeet then walks in on them, and asks what is going on. Gale explains things, but it leads to an arguement, and she leaves saying that she might just leave him. Skeet turns to Mitch for advice, and he says, ""Why don't you just page her?"" Nicole/Joel/Elyse written by Jennifer Johnson, directed by Paula Goldberg Nicole's friend, Elyse is visiting her for t
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Dean/Kendra, Frank/Colin written by Rico Gagliano & Jason Berlin and Erica Rothschild, directed by Danny Salles Kendra introduces Dean to her brother, Martin, who doesn't take it very well. Despite all the differences, Dean tries to hard with Kendra, being black and all, and both decide to set their differences apart. They both know they love each other, skin deep. Nicole/Chuck/Neil written by Erica Rothschild and Steven S. DeKnight, directed by Paula Goldberg Chuck tells Neil about everything, and things cool down after Neil and Nicole. Neil reveals that Chuck and he, will move out deciding to start fresh (a block away to be exact), wanting to make new memories. Kimmy/Michael written by Damon Lindelof, directed by Tim Andrew The three guys try their condom experiment, and all of their condoms break. Kimmy comes home from, and wants to tell Michael first. Kimmy tells Michael in the closet, that he isn't pregnant, and out of happiness, he kisses her. They catch him kissing her, an
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Kimmy/Michael written by Damon Lindelof, directed by Tim Andrew Kimmy takes the test, and she tells the guys she's pregnant. She slips out that she had sex with Skeet, which doesn't go to well with Gale. In the meantime, the guys decide to do an experiment with their condoms. Dean/Kendra, Frank/Colin written by Rico Gagliano & Jason Berlin and Erica Rothschild, directed by Danny Salles Frank is browsing the newpaper ads, and sees the ""I saw you"" section. One of the ads, describes, Dean, his white, home town, in a secluded area, thinking one way guy. He decides to call the girl, named Kendra. Kendra shows up, and shes black. Dean and Kendra decide to go out, and they come back soaking wet. They change in Dean's dorm room, and they reveal the truth about each other, they didn't picture dating a white guy/black girl before. Nicole/Chuck/Neil written by Erica Rothschild and Steven S. DeKnight, directed by Paula Goldberg Neil reveals to Nicole that he is bi, and was giving Nicole all
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Renata/Victor/Brenda written by Damon Lindelof, directed by Danny Salles Victor tells Les, about the whole Renata situation, and Les tells him, he wouldn't mind doing that because Renata is a hard person to get. Victor goes into the laundry room, wearing the panty, underneath his clothes, but Brenda asks what is he doing. He tells her he is washing clothes, and she leaves. Renata forces him to wear another lingerie piece, and tells him to shave his legs. He manages to convince her to meet her in his room, because he has this amazing lingerie she will love. Victor returns his room, and asks if Les wants Renata. Les says yes, and Victor throws him the shaving cream. Renata comes into the room, and ""Victor"" tells her that he shaved his legs, and she starts to feel them. Renata pulls off the sheet finding Les, and he reveals Victor wasn't into all of this. She tells him, she knew, but He reveals, he is into this stuff. Outside, Victor and Brenda make up. [This segment ends.] Kimm
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Kimmy/Michael written by Damon Lindelof, directed by Tim Andrew Lucas, from the last episode, is dating Michael's ex, Kimmy. Kimmy thinks she's pregnant, and goes to her friend, Gale for advice. Bad enough, she's paired up with her sex, Michael, for a project that they have to do... ""I was a teenage mother."" Michael and his friend, Skeey make fun of the video and it upsets Kimmy. Gale clues Michael in and he talks to Kimmy. Gale reveals to Skeet that Kimmy could be pregnant. Haskell/Keisha/Marco written by Damon Lindelof and Steven S. DeKnight, directed by Paula Goldberg Haskell finds the truth about Marco kissing Keisha, and he decides to leave for his home town, after working up Keisha. (really great scene, he dumps her like a cold turkey... sorry ladies...) [This segment ends.] Renata/Victor/Brenda written by Damon Lindelof, directed by Danny Salles Renata prints all these flyers reading ""Panty Thief!"" and clues Victor about just leaving the panty in the dryer. Victor consults
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Renata/Victor/Brenda written by Damon Lindelof, directed by Danny Salles Victor's roommate, Les, is joining a frat home, and they decide to kidnap Les as one of their final pledges. The only thing is they kidnap Victor, and force him to be naked. They then carry his wrapped naked body in the laundromat, and leaves him there, naked. He grabs the only clothing he could find... a pink panty. Brenda, Victor's roommate, and Renata (yes, the slutty one) walks in, washing their laundry. Brenda asks, how could Renata be so slutty, and she tells Brenda that she needs some excitment in her sex life. Renata also notices that her pink underwear is missing. Well, Renata, and Brenda finally leaves, and Victor bolts out of there. He runs, and hides from the site of people, to his dorm room. The only thing is, Renata saw him, when he was running back. Abby/Charlie, Molly/Lucas written by Katy Ballard, directed by Tim Andrew Charlie tries to hard in giving Abby ear candy, and she thinks he onl
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Abby/Charlie, Molly/Lucas written by Katy Ballard, directed by Tim Andrew Gabe notices Abby's sudden ""girly"" change, and notices the attraction between his best friend, Charlie, and his younger sister, Abby. He decides to stay around, and catches Charlie and Abby in the stake out tent. Charlie defends his love for Abby, and tells Gabe he has to get use to it... that his sister is hot! Gabe understands this, and asks Abby if she needs help. She tells her no, and she resumes with Charlie. Meanwhile with Lucas, and Molly, Lucas apologizes to Molly and tells her that he wants to spend his whole life with her. Molly is shocked, and tells him, ""really?"" he then dumps her, saying ""no not really."" and walks away (BTW, a very funny scene). ""Dorm Alone"" written by Erica Rothschild, directed by Danny Salles Roxy and Scott find out that Justin and Maureen have been seeing each other behind their backs, and breaks up with them. Maureen and Justin has sex for the first time as a couple, and c
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""Dorm Alone"" written by Erica Rothschild, directed by Danny Salles Justin and Maureen try to have sex in the laundry room, but obstacles stop them. Justin and Maureen meets in the bathrrom, and outside, Scott, and Roxy meet. That's when Maureen and Justin comes out of the bathroom. Scott and Roxy asks their partners, ""who is that?"" Abby/Charlie, Molly/Lucas written by Katy Ballard, directed by Tim Andrew Lucas reveals that he wanted to just fool around because he is stuck on Kimmy (Episode 605, Michael's ex, etc.). Molly gets upset, and tells her trouble to Abby, while Abby do the same. Abby and Charlie talk for the first time, despite ignoring her durning the day. Lucas decides to get some pizza, for their dinner, and while coming back, students from the other High School, tries to steal their mascot. Charlie throws a football, but misses them. Abby picks up a football, and fits one of them, making him drop the shark. The two guys run away, and they celebrate (and not so cele
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Abby/Charlie, Molly/Lucas written by Katy Ballard, directed by Tim Andrew Gabe, Charlie's best friend and Abby's older brother, tells the gang, Abby, Charlie, Molly, and Lucas, to watch the shark, so that the other school, won't get a hold of it. Molly and Lucas, are fooling around and Molly tells Lucas, she is happy that he is her boyfriend, which makes him nervous. He thought they were just fooling around. Abby's story is that she has feelings for her long time best friend, Charlie, but he doesn't think of her that way. The thing with Abby is that she is a tomboy, so she asks help from Molly. Molly gives her sandals to act ""sexy"" infront of Charlie, but she hurts her leg instead. Charlie tends to her rescue, and after massaging her leg, Abby kisses him. They try to figure out what is in store for them. Janice/Carl written by Damon Lindelof, directed by Paula Goldberg Carl confronts Janice about stealing his ideas, and she reveals she did get the promotion. Carl calls over Jac
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Stephanie/Billy/Cindy/Oliver written by Jennifer Johnson and Katy Ballard, directed by Tim Andrew Cindy decides to switch, despite being the last slave night. Their is some tension between Stephanie and Billy, and Billy gives Cindy some flowers, making Stephanie a bit jealous. Cindy kisses Billy, saying that she liked him. He doesn't like her though, he likes Stephanie. She blows up, and heads towards Stephanie, and complains about everything. Stephanie then tells her, it's Cindy's fault, because it was her, to told her to switch, it was her to ask the questions, etc. Cindy realizes this, and decides to hook Stephanie and Billy up. They all become friends at the end, despite all the arguing. [This segment ends.] Stan/Lena written by Rico Gagliano & Jason Berlin, directed by Danny Salles Lena finds out that Renata wasn't the girl who wore the bra. Lena tries to tell him, but he already kick her out after seeing that they have nothing in common. Lena admits the truth, and they s
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Stephanie/Billy/Cindy/Oliver written by Jennifer Johnson and Katy Ballard, directed by Tim Andrew Oliver reveals to Stephanie that he really likes her, but she doesn't like him. Stephanie calls Cindy a back stabber, but Stephanie is just blinded by her jealously. Janice/Carl written by Damon Lindelof, directed by Paula Goldberg (ADD NAMES) Janice reveals to Carl that her apartment is still going under changes, and cannot go home. He invites her to stay over again, and their boss, Jacob calls. He leaves a message that he really likes Janice's idea. Carl is upset that Janice stole his idea, but she tells him she was doing it for him... partner. They come up with the idea, that they will be partners durning this whole business project. Stan/Lena written by Rico Gagliano & Jason Berlin, directed by Danny Salles Renata tells Stan the truth that it's not her bra, and Stan still goes on a quest to find the girl. Meanwhile Lena tries to show her tru feelings, but Stan questions her on wh
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Stan/Lena, written by Rico Gagliano & Jason Berlin and Dave Holden, directed by Danny Salles Lena has a crush on her best friend, Stan, who is on a conquest on finding a woman who he had sex with last night durning a party. The only thing that was left behind was a bra, so he asks Lena to help. Lena's friend, Susie (From Episodes 301, etc.) tells her ""no"" because it would only make her get her heart broken when he finds the girl. Out of weakness she says yes, and while in the bathroom, sluty girl, Renata (From the last episode), decides to try it on. She tells her that it's her bra, and decides to show Stan. Lena is talking to Stan, and Renata interrupts them. They presumably have sex. Lena goes to Susie for advice, where she tells her to pour her out to him. Lena sees Stan, and he thanks her for bringing Renata to him. Stephanie/Billy/Cindy/Oliver written by Jennifer Johnson and Dave Holden, directed by Tim Andrew West Canyon High School had a little ""I'll be your slave auctio
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Sara/Michael written by Katy Ballard, directed by Tim Andrew Michael breaks up with Kimmy, and begs his brothers to find Sara. Sara does, and Kimmy is upset that he choose Sara over her and leaves. Michael tells Sara that his brother thinks it was faith that brought them together. As this segment ends, Sara talks sexy while reading to him, and they share a kiss before the episode is up. [This segment ends.] Jake/Ben/Lauren written by Damon Lindelof and Steven S. DeKnight directed by Danny Salles Jake finds Ben kissing the sluty girl named Renata, and tells Lauren about it. She doesn't want to listen to Jake at first, but she does. They figure out that they were writing his reports, and decide to play a trick on him. When he returns, they give him papers on animals, and they tell him, he should get started on writing his paper. They leave him, forgiving each other, and that a guy will never come between them. [This segment ends.] Dale/Diane written by Erica Rothschild, directed by
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Sara/Michael written by Katy Ballard, directed by Tim Andrew Sara teaches to Michael that their is a romantic side, and not always sex. While teaching him, they get too caught up, and they passionately kiss each other. Michael wants to see more of Sara, and she lets him. She is down to her underwear as Michael just stares at her (not in a freakish sort of way.) and that's when Kimmy opens the door, and sees what is going on. Sara leaves, but Michael tries to stop her. Kimmy tells Michael, it's okay because his real tutor is here. Jake/Ben/Lauren written by Dave Holden & Damon Lindelof, directed by Danny Salles Ben still manipulates Jake and Lauren. Ben has sex with Lauren, and she leaves to write his paper. That's when Jake comes over, wanting to explore Ben. But Ben interrupts him and reminds him about the paper he has to write, and Jake tells him he'll write it. Lauren then opens the door to find the two in the underwear and storms off. Jake and Lauren fight over Ben, and t
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Dale/Diane written by Erica Rothschild, directed by Paula Goldberg Stu and Thea gives Diane the plan, have the greatest sex with him ever, then remind him that he already slept with her in the before, then dump him like a cold turkey. Also in part of having great sex, she uses a hand vibrator to remind him about his probably first and only time of using a hand vibrator for stimulation. Diane then tells him the truth, and dumps him like cold turkey. Jake/Ben/Lauren written by Dave Holden and Rico Gagliano & Jason Berlin, directed by Danny Salles Ben's intentions is very clear, he is using both Jake and Lauren to write his reports. Jake is really upset, and tells him to make up his mind. Sara/Michael written by Katy Ballard & Damon Lindelof, directed by Tim Andrew Sara goes over for around tutoring session, and Kimmy reminds Kurt about the deal they made. He doesn't have sex with her, and Kurt will get a cheerleader. Tutoring is not working for Michael, so she decides to motivate hi
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Dale/Diane written by Erica Rothschild, directed by Paula Goldberg Thea gets these flowers from this guy, and Diane notices that she had sex with the delivery man a few years back, while on vacation. She tries to jog his memory but it doesn't work. Thea wants to give Diane a plan, but Diane is sketchy about this, because look at Lucy. But Thea pushes it on, and Diane agrees. Jake/Ben/Lauren written by Dave Holden, directed by Danny Salles Jake really likes this guy named Ben, and Lauren isn't convinced that he is gay. Jake, Lauren, and Ben talk over their report papers guy in a couple of days, and Ben tells then he'll see them later. Jake meets Ben in the bathroom, and Jake hits on him. Ben tells him that he isn't quite sure if he gays, and leaves it like that. Ben sees Lauren for help on writing his other paper that is due, and hits on her. She thought he was gay, but he reveals, he isn't and was just being nice at Jake. They presumably have sex. Sara/Michael written by Katy
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Paula/Jim written by Katy Ballard, directed by Tim Andrew The three brothers fight over Paula, and Jim tells them that they aren't worthy enough to have her, since he kissed her first. He goes to her and she is upset at him for not talking to her. He explains that how she came, it was almost like faith. She then reveals that she just took advantage of this situation, since most guys she date goes after her older sister, upon meeting her. She too likes him, and it's presumably they go out. It's the last night to stay over, and she decides to kiss each brother good bye. Starting with Kurt, where she kisses him on his cheek. She moves on to Michael, where she forces him to kiss her on her cheek. Pretending he is upset, Michael forces Jim to kiss Paula. It is then revealed to the brothers that Paula chose Jim. After they share an intimate kiss, Paula leaves, and Jim gawks at his two brothers. As this segment ends, Michael flicks at Kurt's forehead, to show his anger at him. [Thi
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Paula/Jim written by Katy Ballard, directed by Tim Andrew Paula asks Jim for help on getting Michael, and he's been really stuborn about it. She then tells him that she needs help kissing, so they kiss. She reveals that she doesn't like Kurt, but wants Michael. Being a friend, he does help her, Although being a good brother, Michael said to back down from Paula, despite having a girlfriend, and that Jim did kiss her first, where they were little. Paula wants to take a bath, so she does. Jim tells Michael that Paula is naked... with bubbles... 4 feet away... in the bathroom, and Michael tells him he has to do ""something."" Michael goes into the bathroom, ""looking"" for his tooth brush, but talks with Paula instead. Kurt comes home, and Jim tells him everything between him and Paula. All of sudden they hear giggles from the bathroom, and they head in, thinking that Michael was doing something. Paula screams, and they say sorry thinking that ""something"" was interrupting her, but Ji
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Paula/Jim written by Katy Ballard, directed by Tim Andrew Paula reveals to Jim that she has a crush on Michael. She wants Jim to help her get Michael, and he tells her that he is really into sex, so he should try that. Jim sends for Michael, and she hits on him. They are interrupted by Kimmy, when she sees him doing stuff with her. She storms out, and Michael follows. Jim goes back to his brothers, and tries to confront anyone of them, on who set him up. Lucy/Leo/Thea written by Erica Rothschild, directed by Paula Goldberg Lucy finally has sex with Leo, and Thea tells Diane, she might be interested in him. Diane reminds her that if he comes back, Lucy might think he will come back for her. Wade/Andrea/Foster written by Damon Lindelof, directed by Danny Salles Andrea tells Wade about not having sex, and she decides she wants to have sex. Wade decides he can go on, without telling her that he is faking the whole sex before marriage. In the midst of foreplay, Wade decides he canno
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Lucy/Leo/Thea written by Erica Rothschild, directed by Paula Goldberg Lucy wants sex, but they only thing is she is a virgin, and it doesn go to well with guys finding out she is a virgin. So her friends, Thea, and Diane decides to bribe a guy, named Leo to have sex with her first. Paula/Jim written by Katy Ballard & Damon Lindelof, directed by Tim Andrew Kurt, and his brothers Michael, The Jock, and Jim, The Dork, are very excited when Paula, an old school friend, decides to stay over when her older sister wanted to check out some colleges over there. Michael, Kurt, and Jim fights over Paula, and every second he has, he reminds them that they are meant to be, because he shared his first kiss with her. Kurt brushes it aside, and tries to hit on Paula. Michael instists that she could take his room. Kurt reminds Michael about his slutty girlfriend, Kimmy, and that's when she walks in. Kimmy reminds him about their date, and they are off. Jim some how manages to get Kurt out of the
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Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew They make a rule that all three must be present in order to have sex, but they break it, when Elvis goes to a study break. He finds out about it, and breaks up with Susie and Sam. But this is all new to them, and Elvis returns, saying that he wants to try it out, and they welcome him back into the relationship. [This segment ends.] Jane/Richard written by Steven S. DeKnight, directed by Danny Salles Jane and Richard decide to have sex, but cannot due to all the weirdness of being step brother, and step sister. [This segment ends.] Zia/Helen/Beth written by Damon Lindelof, directed by Paula Goldberg Beth goes for another kill with Helen, but Helen clues her in that she loves Zia. As this segment ends, Helen and Zia share a kiss. [This segment ends.]
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Jane/Richard written by Steven S. DeKnight, directed by Danny Salles The plan doesn't go so well, since Kurt decides to have a double date. They decide to order pizza, leaving Kurt and Audrey alone. You see, Kurt and Audrey made their own plan, of having sex with Jane and Richard, but it doesn't go to well. While playing with these sex dice, it goes to far, and Richard and Jane decide to have a talk in their bathroom. Audrey finds a picture of Jane and Richard kissing. Jane and Richard make up, saying that they only can love each other, and they end up kissing. That's when Kurt and Audrey catches them. They try to explain but Kurt and Audrey calls it gross, and decides to 'break up' with them (they were loosely going out for a day or so). Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew Elvis, Susie, and Sam decides to go out on a date, and all goes well. They are ready for sex, but they don't know how to start it. They end up kissing Susie, and
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Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew The three decide to talk things over, and she tells them if she could maybe date both of them. She is shocked when they both say yes, but who will Susie get tonight? They decide over a game of pin ball, and Elvis wins. Doing some foreplay, Susie asks about the relationship, and Elvis reveals it's good because commitment wise, no one really cares about it. That's when she explodes. Sex. Is that all she means to him? Sex? Well, Susie goes to Andrea for advice, and Susie decides to call Sam over to prove that she wants to be... boyfriend... girlfriend... and boyfriend. Jane/Richard written by Steven S. DeKnight, directed by Danny Salles Jane decides to make a plan where they could date Kurt, and Audrey so that they could be secretly dating each other, while everyone think that they will be seeing Kurt or Audrey. Zia/Helen/Beth written by Damon Lindelof, directed by Paula Goldberg Zia confronts Helen abou
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Jane/Richard written by Steven S. DeKnight, directed by Danny Salles Jane and Richard are step brother and step sister. They have a lot of sexual attraction between them, but are interrupted by Kurt, Jane's tutor, and Audrey, Richard's tutor for school. Both Audrey and Kurt, think they will make out or even have sex, but both Jane and Richard don't want to. Audrey and Kurt leave, and Jane and Richard, snuggle in bed, complaining about their parents, saying that they fell in love first. Kurt scrambles into his own bed room, when Annie, their mom, tells them good night. Jane and Kurt look at each other (joint rooms, bathroom in the middle) wanting each other. Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew Susie gets help from this guy named Elvis on her painting. She complains that she sucks, and he teaches her to use her hand rather than the brush. They proceed to have sex right after. Susie tells her friend, Andrea about it, and says Elvis is th
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